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Tuscany countryside |
The
remainder of the day was spent on countryside roads and the
autostrada to Florence, one of the most beautiful cities in
Italy. Over and over I was struck by the ancient nature of the
culture and landscape; this is a land dominated and used by humans
for thousands of years. I used to think of California's missions as
ancient buildings because they dated back to the late 1700's. Cities
in California are ancient if they were established before 1900. We
passed towers and barns and homes that were not notable in any way
to the locals, yet they had been standing for many centuries. |
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Tuscany countryside |
In Europe,
buildings from the 1700's and 1800's represent recent urban renewal!
This house was notable for being so young, but I liked the
juxtaposition of ancient and modern in so many places that we
traveled. |
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Museo Mediceo |
And of course
there was an official appreciation of art that is sometimes missing
in more familiar places back home. We arrived in Florence late in
the afternoon, and wandered about the center of the city. We had
walked no more than a few blocks before we passed the courtyard of
the Medici family, and could see the statues in the foyer... |
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San
Lorenzo Church |
We walked past the
Basilica of San Lorenzo in the sunset. The church was constructed in
the 1400's, one of the younger churches in the city center. |
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Cathedral of Santa
Maria del Fiore |
After dinner in a
downtown restaurant, we wandered into the Piazza San Giovanni for a
look at the Cathedral of Santa Maria del Fiore, known more often
simply as "Il Duomo". The church was begun in 1296, and the dome was
designed and constructed under the direction of Brunelleschi from
1420-1436. The bold lines around the windows reveal a new facet of
local geology...marble! The coastal mountains, the Apuan Alps,
contain exposures of several different kinds of marble in a
multitude of colors, including the famous white Carrara Marble
favored by Michelangelo. |
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Cathedral of Santa
Maria del Fiore |
The facade of the
church, seen here the next morning, is a striking contrast to other
churches we had seen...the green was serpentine marble, the pink was
marble containing iron, and the pure white marble of the Carrara
region along the nearby coast. |
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Giambologna sculpture |
Marble, of course,
is a wonderful medium for sculpture, and beautiful marble statues
can be seen throughout the city. A marvelous open-air museum at the
Loggia della Signoria includes a piece carved from a single piece of
marble by Giambolgna in 1583, the Rape of the Sabines. |
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Michelangelo's David |
For centuries,
Michelangelo's 17-foot tall sculpture, David, stood in the
Piazza Della Signoria. Damaged by weathering, it was moved to the
Accademia in the 19th century, and this replica put in its place. I
think of myself as a patient person, but in this instance, a
two-hour wait in line at the Accademia was too much, so we settle
for the copy... |
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Vegetable Stand |
No geology here,
just food art! |
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Alley |
As a geologist who
enjoys wide-ranging views of a landscape, I came to very quickly
appreciate the architects of the city center, who left beautiful
open squares near the churches and cathedrals...all the alleys and
streets are claustrophobically narrow! |
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Flower Girl |
This is here
simply because the little lady was enjoying the wedding and being
cute |
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Palazzo Vecchio |
The tower was
constructed from 1299-1302, and at 308 feet, was an engineering
triumph for the time. |
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The
Ponte Vecchio |
The Arno River
flows through the center of Florence. During the retreat of the
Nazis from here in 1944, all of the bridges spanning the river were
destroyed, except for one, the Ponte Vecchio, which was originally
built in 1220. The buildings have housed jewelry and gold shops for
centuries. An unprecedented flood in 1966 nearly swept the bridge
away, and also destroyed and damaged a heart-breaking number of
classic artworks in the churches and museums lining the river. The
river reached a depth of 22 feet, and was flowing at a rate of
70,000 cubic feet per second. |
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Damaged art |
It was said that
during the flood of 1966, countless invaluable works of art were
simply floating away in the muddy river. 14,000 movable art pieces,
and 3 to 4 million priceless books and manuscripts were damaged and
destroyed. Some artworks that were recovered had lost all the paint,
and retained only the pencil marks made by the artists. The badly
damaged wooden Crucifix by
Giovanni Cimabue is on
display in the Basilica of Santa Croce. The church also houses the
tombs of Galileo, Michelangelo, and Machiavelli. |
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Campo dei Miracoli |
I guess all trips
to Italy have to include a look at the Leaning Tower of Pisa.
So it was that we took the 90 minute journey to the small town.
Unlike most of the churches we had seen, the bell tower (campanile),
the baptistery, and the duomo stand apart from the rest of the town
in an attractive green field called the Campo dei Miracoli (field of
miracles). At least the tourists and their promoters call it that.
The town is Pisa is just down the coast from the Carrara marble
quarries, and attractive stone is nicely used on the church
buildings here... |
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The
Leaning Tower |
The Leaning Tower
was begun in 1174, and started listing almost immediately.
Construction ceased at the third floor for a century as the
engineers tried to figure out how to stop the tilting. The problem
is that the town of Pisa is built upon saturated, clay rich soils
that are a poor foundation for buildings of any kind. All of the
buildings in the complex tilt to some degree. The total tilt today
is 14 feet, and apparently has been stabilized after a full scale
effort in 2001. |
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Leaning Tower Repaired! |
Fixing the tilt
was easier than anyone expected. Here is the Leaning Tower without
the lean!!! |
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